Behind the Suspense: “Knowledge” as “Prey” in the Film Possession

Authors

  • Shuyi Liu

DOI:

https://doi.org/10.34257/LJRHSSVOL25IS17PG29

Keywords:

detective techniques, knowledge, reading desire, suspense, theoretical reflection

Abstract

The film Possession employs detective narrative techniques to build a suspenseful, symbol-rich structure, intertwining the plot with the pursuit of “knowledge” and transforming the viewing experience into a metaphor for the quest for understanding. This paper analyzes the construction of suspense and the deeper implications of “knowledge” as “prey” in Possession from three perspectives. First, it analyzes the film’s detective techniques and their role in uncovering truth. Second, it explores how unsent letters ignite the audience’s interpretive desire. Lastly, it examines unresolved mysteries, emphasizing philosophical reflections on “knowledge” and theory. These three dimensions are interrelated, collectively emphasizing the pivotal role of “knowledge” exploration in promoting female empowerment and fostering deeper theoretical reflections.

References

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Elisabeth Bronfen (2004) Romancing Difference, Courting Coherence: A. S. Byatt's Possession as Postmodern Moral Fiction. 117-34.

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Published

2025-12-15

How to Cite

Behind the Suspense: “Knowledge” as “Prey” in the Film Possession. (2025). London Journal of Research In Humanities and Social Sciences, 25(17), 29-33. https://doi.org/10.34257/LJRHSSVOL25IS17PG29